My Brown Wren Jewelry and Jewelry Making Tutorials

Earth Conscious Jewelry & Jewelry Making Tutorials

The Making of a Zinnia Ring

Tammi SloanComment
The Zinnia Ring Collection

Need a fresh new something to brighten up your wardrobe and your mood? I've got just the thing for you, and I'll show you some of the steps of how these cute Zinnia rings are made. They are all sterling silver, with ethically sourced tourmalines from Afghanistan. Are you drooling yet?

I can’t stop looking at them. Did those come out of me? Well, they did and I just have to move on - or do I? We shall see how you all respond to these unique, one-of-a-kind hand crafted rings.

As promised, I will show you a few steps that go into the making of the rings. Admittedly, there are a few steps missing. That’s because I’m horrible at documenting the process.


Drawing a complimentary design for the stone.jpg

The first couple steps, which you don’t see here, are making the bezel (that little serrated wire that wraps around the stone, soldering it onto a flat piece of silver and sawing that out real close to the bezel. I like to create a double back plate to prevent solder from flowing into my little petal cut outs and make the stone sit higher.

This image here shows all the pieces soldered together, with the stone setting atop the bezel. You can’t fully drop the stone into place until you’ve soldered on the ring band, but it looks so much prettier in pictures with it setting in there! Don’t you think?

I free hand a design in pencil based on the shape of the stone. It will get a few tweaks along the way, between the drilling of the holes, the sawing of the petals and all the filing and sanding.

So, here’s the beginning of what it will look like. You see it setting atop a well used charcoal block. That’s one of the materials I solder on. It is a great reflector of heat, which helps when you have multiple layers of silver you are soldering together.


Pierced design before filing.jpg

After drawing out the design, I take a nail set and create little divots inside the lines of each little petal at their widest point. This gives me a seat for my drill bit so it doesn’t skid across the surface of the silver. There’s nothing worse than that. It creates such a mess to clean up!

After all my divots are made, it’s time for drilling holes. This is normally a very easy process, but during COVID times, things aren’t always easy or normal. Right now, I have half of my tools and supplies at home and half at my studio at Blueschool Arts. One of my very favorite, and most invaluable tools, is my Foredom Flex Shaft. It’s a type of drill, but so much better. Drilling holes with it is so simple, because it has a foot petal that allows you to adjust the speed. At my home studio, there is no room for my flex shaft, so I am using a Dremel. It has a variable speed, but it starts at a much higher RPM than the flex shaft, which isn’t great when using tiny drill bits. Needless to say, creating the first ring (pictured here) was a bit of a challenge. I got everything drilled out, but I did have some skidding and rounding around the holes, which took a bit of time to clean up. I went to my regular studio at Blueschool on Tuesday to drill out the other two rings with my flex shaft with some much smaller drill bits. What a breeze that was! Everything was at the proper height. I can’t tell you how badly I wanted to scoop up my jeweler’s bench and my flex shaft and pop them in the car!!!

With my holes drilled, I could start sawing. This is where the fun begins. To create these cute little petals, I have to take one end of the saw blade out of the saw frame (not shown) and run it up through the hole in the silver and then tighten it back in the frame before I can saw around the hole to complete each petal. It might sound a bit monotonous, but it feels very meditative once you get the hang of it. Having the right saw and the right size blades makes all the difference in the world. For this ring, I used my old German saw frame that’s more than 30 years old, with a 4/0 blade. It was a bit rough going, but I think it came out pretty good. For the other two rings, I used my Knew Concepts saw frame and an 8/0 blade. I picked them up at the studio when I was drilling the holes. What a difference! When they say the right tool makes all the difference, they aren’t kidding!!!


Back Plate All Cut Out.jpg

After all the holes were sawn, I took several different needle files and smoothed out my holes. Having used a bigger blade than what was warranted, I had a bit more clean up to do with this ring. It just takes some extra time and patience, but you can smooth out all the jagged lines from the saw teeth pretty nicely.

To the right, is the top of the ring all cut out. What a satisfying moment!

Next, is finish work - cleaning up rough edges. I use needle files, 3M bristle disks and a pumice wheel in the Dremel to get the job done. This is the time where I can refine the shape of the points a bit to match up with my cutting lines or to modify if I think the shape is a bit off.

From here, it’s time to make the band and solder it to the top. I didn’t get any shots of that. Pooh!


Setting The Stone.jpg

I have found that I am really enjoying using Jessica Cote’s Hone and Highlight tumbling medium when I want to create pieces that will be given a patina, like these were. It is a ceramic medium that goes in the tumbler along with your work. I just dunk each piece in a solution of liver of sulphur and water until they are black, rinse and tumble. The medium wares away some of the patina - on the high spots - and hardens your work. With serrated bezels, I’ve found it’s best to only leave in the tumbler for an hour because the tips ware down. I imagine you could leave it in longer, but I don’t want to chance it on something precious. There’s plenty of time to experiment later - right?

To the left you see the ring fresh out of the tumbler and ready for the stone to be set. It’s in my sweet little GRS MicroBlock Ball Vise. It’s another one of my all time favorite tools! I bought it after I broke my elbow. When I was healing up, I ended up getting tendonitis and this really helped to reduce ware and tare on my arm.

At this point, all that’s left is to push the bezel over onto the stone with a bezel rocker to hold it in place, and to touch up the polish on the tips of the petal points. I wanted them to shine a bit. The Hone and Highlight leaves a more matte finish on metal. I don’t mind it for most things, but for these rings, they need a little shine!

Well, what do you think? Leave me a message in the comments. I’d love to get your feedback. If you’re interested in a ring, I am happy to take a custom order, or you can check out these rings on my website here.